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My continued visits to Italy inspired the four drawings representing the undulating hills of the Tuscan countryside, as well as the meandering streets and architecture of Florence.
My continued visits to Italy inspired the four drawings representing the undulating hills of the Tuscan countryside, as well as the meandering streets and architecture of Florence.
La Porta Romana, Firenze, 2014
watercolor, ink, watercolor pencil on Arches board, 18 x 24”
Vivi il Fizezole, 2014
watercolor, ink, watercolor pencil on Arches board, 18 x 24”
Le Dulce Colline della Toscana, 2014
watercolor, ink, watercolor pencil on Arches board, 18 x 24”
Le Rose di Roberta, 2012
hand drawn ink on archival pigment print, a.p., 17 x 13”
Casa di Cher e Henrik, Pietrasanta, 2014
watercolor, ink, watercolor pencil on Arches board, 18 x 24”
Brainstorm, 2012
watercolor, ink on Arches paper,
For Helene (1), 2013
watercolor pencil, ink on paper, 12 x 9”.
This ink and watercolor drawing “For Helene (1)” is an interpretation of the late Helene Brandt’s “Arial Treepod”; while turned upside down, the spirit of her rooted form is intact.
For Helene (2), 2013
watercolor pencil, ink on paper, 12 x 9”.
Brandt’s “Birth of Venus”, 2010, which inspired “For Helene (2)” was part of the “Adaptations” exhibition I produced at Empire State College, spring, 2013. Helene will always be a dear friend, colleague, and inspiration. We were planning an exhibition of her hybrid biomorphic sculpture and my drawn responses, before her untimely death on August 27, 2013.
